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Côte d’Ivoire Artist Recasts Old Mobile Phones Into Art

Channels Television  
Updated May 14, 2022
Ivorian artist Mounou Désiré Koffi makes an artwork with used telephone keyboards at his residence in Bingerville, a commune of Abidjan, on April 28, 2022. (Photo by Sia KAMBOU / AFP)

 

 

 

Stitching together discarded mobile phone keyboards to make art, Ivorian artist Mounou Desire Koffi hopes to raise awareness about pollution.

“I wanted to contribute something new,” said the artist, whose work is on display in Abidjan until July.

In his studio in Bingerville, near the Côte d’Ivoiren business capital, the 28-year-old describes himself as “young contemporary artist” who wants to stand out from the crowd.

“I’ve been passionate about drawing since childhood. It was always me the teacher would send to the blackboard to illustrate lessons,” he says.

 

Ivorian artist Mounou Désiré Koffi (R) poses for a photo with visitors behind his artwork made with used telephone keyboards during his show’s opening at the Donwahi foundation in Abidjan on April 29, 2022. (Photo by Sia KAMBOU / AFP)

 

When he decided he wanted to go to art school, his parents, who worked as farmers in southwestern Ivory Coast, had no idea what it was. His art teacher had to visit to persuade them to let him go.

After graduating at the top of his class from the Abidjan Art School, he started looking for old mobile phone keyboards and screens on roadsides, in gutters and in rubbish tips.

 

A woman films an artwork by Ivorian artist Mounou Désiré Koffi during his exhibition opening at the Donwahi foundation in Abidjan on April 29, 2022. (Photo by Sia KAMBOU / AFP)

 

“Now I have a whole team that is paid according to the quality of what they turn up with,” he says.

“I told them: ‘Stop throwing things away. Bring them to me and we can work with them.'”

 

The Ivorian artist Mounou Désiré Koffi traces an image on used telephone keyboards he uses to make his artworks on April 28, 2022 in Bingerville, a town in Abidjan. (Photo by Sia KAMBOU / AFP)

 

– ‘Solve a problem’ –
In his studio, someone has dropped off bags brimming with mobile phone spare parts.

Koffi dives into a pile of keyboards and screens to find those he needs.

Placing them side by side on the canvas, he creates colourful human silhouettes in urban settings.

Some of his works sell for up to $1,500.

 

A woman films an artwork by Ivorian artist Mounou Désiré Koffi during his exhibition opening at the Donwahi foundation in Abidjan on April 29, 2022. (Photo by Sia KAMBOU / AFP)

 

He says the aim is to try to “solve a problem” in a country where rubbish sorting is almost non-existent, and most household waste ends up in piles in the street.

“Most of my works reflect man’s day-to-day existence in society,” he said.

“I think phones are the tools that are most close to us at the moment. We have almost everything stored in our phones.”

 

Ivorian artist Mounou Désiré Koffi cuts out an image on the screen of his artwork reproduced on a carpet of used telephone keyboards in Bingerville, a commune of Abidjan, on April 28, 2022.  (Photo by Sia KAMBOU / AFP)

 

The artist, who had exhibited his works in Morocco, Belgium and France, says his works seek to spark reflection about waste.

“We find all sorts of things in our dustbins… I’m trying to make people more aware.”

 

The Ivorian artist Mounou Désiré Koffi (C) looks for used telephone keyboards he uses for making artworks in Koumassi, a district of Abidjan, on December 19, 2021. (Photo by Sia KAMBOU / AFP)

 

Keen to reflect current debates, Koffi has in his paintings portrayed pollution, but also floods, traffic jams and child soldiers.

One of his latest series, titled “Life here”, recounts daily life in Abidjan.

 

Workers of the Ivorian artist Mounou Désiré Koffi (not seen) fix the reproduced image on a carpet, one of the stages in the making of artworks with used telephone keyboards in Bingerville, a commune of Abidjan, on April 28, 2022.  (Photo by Sia KAMBOU / AFP)

 

After a first exhibition in the coastal town of Bassam, his work is now on show until July at the capital’s Donwahi Foundation.