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Spike Lee Finally Wins First Competitive Oscar

  Veteran director Spike Lee on Sunday won his first competitive Oscar, taking home a statuette for best-adapted screenplay for the film “BlacKkKlansman.” Advertisement The … Continue reading Spike Lee Finally Wins First Competitive Oscar


Best Adapted Screenplay winner for “BlacKkKlansman” Spike Lee poses in the press room with the Oscar during the 91st Annual Academy Awards at the Dolby Theater in Hollywood, California on February 24, 2019. FREDERIC J. BROWN / AFP
Best Adapted Screenplay winner for “BlacKkKlansman” Spike Lee poses in the press room with the Oscar during the 91st Annual Academy Awards at the Dolby Theater in Hollywood, California on February 24, 2019. FREDERIC J. BROWN / AFP

 

Veteran director Spike Lee on Sunday won his first competitive Oscar, taking home a statuette for best-adapted screenplay for the film “BlacKkKlansman.”

The audience erupted into applause for the 61-year-old who until Sunday had earned an honorary Oscar in late 2015 for his “extraordinary contribution” to film — but no other Academy Awards.

For more than 30 years, Lee has captivated audiences — and sometimes angered them — with his provocative, frank depictions of black America infused with his signature mix of entertainment, activism and rage.

“BlacKkKlansman” is a searing yet sometimes hilarious broadside against racism with the stranger-than-fiction true story of an African-American police officer who managed to infiltrate the highest levels of the Ku Klux Klan.

Lee — decked out in all purple with gold sneakers — jumped into the arms of presenter Samuel L. Jackson before accepting the award.

Lee got political, looking ahead to the upcoming presidential vote.

“It will be a powerful moment,” he said. “The 2020 presidential election is around the corner.”

“Let’s all mobilise, let’s all be on the right side of history. Make the moral choice between love versus hate,” he said. Lee was wearing rings on Sunday that bore the two words.

“Let’s do the right thing!” he concluded, referring to his acclaimed 1989 film about simmering racial tensions in New York’s Brooklyn borough.

“You know I had to get that in there,” he said with a smile.